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Topic: 'A' level

Relevant for England and Wales National Curriculum at 'A' level (Key Stage 5).

Certainty and uncertainty: Activity 1

Imagine that you are not sure about the following statements, and find ways to make them sound less certain.Write three different versions for each example.

  1. Amy has gone home.
  2. I will definitely have the essay written by tomorrow.
  3. This disease is caused by a virus.
  4. The British team will win this match easily.

Certainty and uncertainty: Activity 2

Rank the given examples in order from most certain to most uncertain, with most certain at the top and most uncertain at the bottom. Identify the words in the examples that help to convey certainty or uncertainty. Are they modal auxiliary verbs? Adverbs? Main verbs? What conclusions can you make about the way that individual word choices affect the certainty of expressions?

This may not be easy, and some examples may be debatable!

Compare your rankings with somebody else. Are there any areas of disagreement?

 

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Changing voice

Goals

  • Practise changing voice: from active sentences to passive, and passive sentences to active.

Lesson Plan

The teacher explains that today, we will practise turning actives into passives, and passives into actives.

Activity 1 in the right hand menu presents students with active sentences. Ask students to work individually, in pairs, or in groups and to write down a passive version of the sentence.

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Changing voice: Activity 1

Two guards examined the BMW. → The BMW was examined by two guards.

Renoir painted the same road a few months later. → The same road was painted by Renoir a few months later. Or 'The same road was painted a few months later by Renoir' is also acceptable.

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Changing voice: Activity 2

The leader of the party is elected by the political party. → The political party elects the leader of the party.

The full costs of their care are met by the NHS. → The NHS meets the full costs of their care.

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Classroom language and TV drama

In this lesson, students identify and analyse elements of classroom dialogue.

Goals

  • Identify the elements of classroom dialogue.
  • Analyse some examples of real classroom language and classroom language presented on TV.
  • Analyse some elements of real classroom language at students' own school. 

Lesson Plan

Activities 1 and 2

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Clauses in composition: Activity

Extract from a charity advertisement:

Nana-Kwame will never see his brothers. He will never see his sisters. He will never see his mother or father. They are dead.

Extract from a charity advertisement:

You can make the difference. You have the power. If you give just £10 we can make huge changes to these children’s lives.

Taken from Louis Sachar, Holes

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Clauses in writing

Goals

  • Identify sentence structures and clauses in example texts.
  • Describe and evaluate the effects of the clause and sentence structure choices in the examples.

Lesson Plan

Looking at clauses and sentences in linguistic detail can give you an extra level of analysis that can be used to open up a text’s depths. The slides in the Activity page in the right hand menu present some examples. The examples include interesting clause structures, all of which seem to be designed to create effects.

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Comparing different modes

Students compare examples of English in use, including various written and spoken examples, and analyse them according to a scale.

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Comparing different modes: Activity

Facebook message

How u doing??

Just wondering if u could be my referee, yr gonna be surprised at what the job consists of... its teaching SQUIRTS... yh I know dirty lil freaky children looool

Hope yr good though??

Later

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Contractions

Words like I'm, don't, and should've, which involve two words being joined together, are often called contractions. This lesson explores the many different types of words in this category, and the similarities and differences between them.

Goals

  • Describe examples of contractions.
  • Categorise a set of contractions.
  • Identify the differences between categories of contractions.

Lesson Plan

The teacher explains that today, we will study contractions.

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Deixis in drama

Exploring how deixis works in dramatic texts

Deixis is a word of Greek origin meaning 'pointing'. Thus, words which are deictic 'point' to different times, spaces and people. The meaning of these words is dependent upon the context in which they are used. 

For example: if a teacher stands at the front of a room, at 9.13am on Wednesday 28 June and says to a student 'I want you to come here now', then the following deictic words mean:

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Derived nouns and composition

In this activity we will look at suffixes that can change adjectives and verbs into nouns.

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Derived nouns and composition: Activity 2

Complete the examples with nouns which are derived from the highlighted adjectives. The first answer is provided.

The peacekeeping forces withdrew. It led to civil war. → The withdrawal of the peacekeeping forces led to civil war.

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Discourse structure

Goals

  • Review a list of useful vocabulary and phrases for establishing continuity, cohesion, and structure in discourse.
  • Apply knowledge of discourse structure to arranging sentences into an appropriate, meaningful order as an article.
  • Analyse existing texts to identify elements that support the discourse structure of the texts.

Lesson Plan

Activity 1

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Dizzee Rascal and the textbook

The way we use language can differ dramatically according to context. This creative lesson asks students to translate from one context into another. This is a great approach that allows students to apply their implicit knowledge of language, and to analyse linguistic features naturally and implicitly, based on their intuitive language skills.

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Dizzee Rascal and the textbook: Activity

Stress on the brain, complain, too da fool. Stress on the brain, complain, too da max.

I'm gonna search for big money stacks, top tens and platinum whacks.

Ain't got no need for a chain of a chaks. I'm a rude boi, I ain't gotta relax.

I got this game in my head like dax. Got this game in my hand, be cool.

Unstoppable, make a boi relax. I'll take teeth for the money and jaks.

We make money off album tracks. Come on, I'll face it, let's all face facts.
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Foregrounding

Foregrounding is a widely-used term in text analysis, literary linguistics and stylistics, referring to patterns of language that stand out in a text. The term itself is derived from art and film criticism, and is best understood by a visual analogy.

Goal

Noticing and exploring linguistic patterns in literary texts.

Here is a picture of San Francisco:

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Forensic linguistics: a starter

an activity using language clues to solve crime

Forensic linguistics is a growing area of language study that combines the analysis of language with solving crimes. All of us use language in subtly (and sometimes not very subtly) different ways – so when we write or speak, we leave clues that sharp-eyed language detectives can pick up.

In this resource, we take a quick look at the kinds of clues forensic linguists look for when they try to work out the identity of a writer.

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Forensic linguistics: how is it done?

an explanation of text analysis methods

Forensic linguistics often uses a form of language analysis known as stylistics. In the past, stylistics was largely used to study the language styles of literature texts, but when used as part of forensic stylistics it is applied to all sorts of language, from letters, text messages and audio recordings of police interviews, through to suicide notes and ransom demands.

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Forensic linguistics: some answers

suggested answers for the starter activity

So, what clues did you find? The police were convinced that the two sets of messages were actually from different people, and that Melinda hadn’t sent the messages on February 16th, but they needed evidence.

Some of the clues in the data are easier to spot than others, but here are some differences:

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